This clarity of creative intention runs across the whole album and the track titles confirm that Lucaciu’s experiments with torsion are pursued with an almost scientific rigour. If this process and this material can behave in this way under these circumstances, how will they behave in different conditions? If this track is called ‘Downwards’, what will happen if its tonal trajectory and harmonic form are reversed in a track called ‘Upwards’? If there is a ‘Los, Lassend (vivace)’, then how will its material be altered by a different speed and figuration in ‘Los, Lassend (adagio)’. – Christopher Fox
1 Fest, Haltend 4:06 2 For CT I 1:10 3 Los, Lassend (Vivace) 1:56 4 Downwards 5:22 5 Space in Grid (Etude 7:14 for Piano) 6 Interferenz synthetischer 7:09 Glocken 7 Torsion 1:10 8 Zellulaerer Automat 1:33 9 Los, Lassend (Adagio) 2:08 10 Post Choral 2:41 11 Reduktion 1:01 12 Sound in Space 2:02 13 For CT II 1:11 14 Upwards 2:52 Total Time 41:44